Culling
Creativity: Why We Need It Back
Creativity is slowly dying. For years, the methodology of
“one method, one answer” has begun to cull the creative spirit out of children
and teenagers alike. We need creativity in the public education system, for
more reasons than one. By including Creative Writing and Arts courses in
school, we can, as a nation, achieve more success in this ever-changing
technological world. Teens, not only children, need creativity to learn free
self-expression, to provide a stress outlet, and to be able to adapt and grow
as more and more is required of them.
Children are born creative. Oftentimes, you see children,
especially toddlers, trying new things or attempting different ideas. "They
make up songs and sing them, draw pictures that make sense to them, move to
music or rhythms that perhaps only they can hear, create stories and act them
out" (Wenner). In addition to this, children that are not provided with
things to do often entertain themselves by imagining scenarios or reading, which
allows children to imagine things for themselves, something not often done in
today’s world of “electronic baby-sitters”.
However, most children these days have a limited
attention span. One can only imagine for so long, and so the ever pervasive
“I’m bored!” must be dealt with. Many a child has been plopped down in front of
the television, TV remote or game controller in hand, and told to “entertain
yourself.” But that’s not truly entertaining oneself. As stated by Kyung Hee
Kim, an associate professor teaching at Virginia’s College of William &
Mary, "What it means is that the children spend time operating programming
created by someone else; they are not exercising their creative potential and
abilities. When you read a book, your brain creates images, and gives voice and
meaning to the letters. When you watch a television show or play a game
program, all the “work” of imagination is done for you" (Kim). This is
true. Children do as they see, and when the only things a child sees are the
effects of gaming and Saturday morning cartoons, their mind games and
imaginations will be based off of these things. As defined by Po Bronson and
Ashley Merryman in their 2010 article entitled “The Creativity Crisis”, "The
accepted definition of creativity is production of something original and
useful, and that’s what’s reflected in the tests. There is never one right
answer. To be creative requires divergent thinking (generating many unique
ideas) and then convergent thinking (combining those ideas into the best
result)" (Bronson, and Merryman).
One of the reasons that teens have trouble with
creativity is that in earlier years, it is likely that they partook of too much
screen or game time as children, a problem that is only getting worse. In an
article based on Kyung Hee Kim’s recent study, author Rachel Rettner of www.livescience.com points an accusing
finger at television. “Other culprits may be the rise in TV watching, a passive
activity that doesn't require interactions with others, Kim said" (Rettner).
In addition to this, authors P. Bronson and A. Merryman state nearly the same
thing: "It’s too early to determine conclusively why U.S. creativity
scores are declining. One likely culprit is the number of hours kids now spend
in front of the TV and playing videogames rather than engaging in creative
activities. Another is the lack of creativity development in our schools. In
effect, it’s left to the luck of the draw who becomes creative: there’s no
concerted effort to nurture the creativity of all children" (Bronson, and
Merryman). The opinion is a double-edged blow. It attacks not only rising TV
and video game usage, but the lack of development at school. As children progress into their teen years, yet another
change begins to occur: the fear of being wrong.
“'Children aren't given the
opportunity to express their own ideas or come up with their own way of doing
things,' Jennifer Keys Adair, Ph.D., of the University of Texas explains.’ Instead,
the answer is A or B or C. There is only one right answer'" (Carolina). This
comes at the expense of learning from example and by mistake, something that
Thomas Edison did over 1,000 times in his attempt to create a functional light
bulb, a thing that children now despise.
Eva
and Joseph Shapiro, authors of “Amid
Dropping Test Scores, Teen Writers' Creativity Soars” quote Margo Figgins, lead
founder of the Young Writer’s Workshop at the University of Virginia, "Today,
some education reformers say schools now give kids too much freedom to write
creatively… (they must) write logically and precisely. The new Common Core
State Standards… seek to correct that by putting emphasis on persuasive
writing. Teachers of creative writing call this a dangerous mistake. Creativity
is the orphan of today's rush to standardization" (Shapiro, and Shapiro).
Test scores may be dropping, but teen creativity is on the rise. Why can’t we
have both? Integration of creative problem solving as well as focus on learning
technical problem solving produces a broad, multi-tiered learning style. Trying
to force children and teens into writing “logically and precisely” is like
trying to jam a square peg into a round hole.
However,
the opposite side can be argued as well. Children are not born purely creative;
they are imitators, not innovators. While they may sing and dance, it’s based
off of things that they see from their surrounding worlds. They dance to music
they can hear, they play characters that they see in books and movies. Children
need carefully structured time to be able to evolve in a way that will bring
them to success in the future.
While
unstructured time can be arguably good, much of unstructured time is spent
simply complaining. When children are not given something to do, they become
bored. They need something to entertain them, to form pathways that the brain
can follow during later occurrences of such boredom. Sebastian Lockewood, of John
Hopkins School of Education, states that "the K to 6th grade years are
critical to creating a way of thinking and investigating that is based in the
concrete” (Lockewood). Concrete thinking, not abstract and scattered, is truly
where our future resides.
Teens
suffer with this terribly. While being pressured by peers to do well, the
stress build-up can reach points that drive teens to do things they normally
wouldn’t. It has an effect on grades, sleep, and creative patterns. School
should be structured around learning. If teens need to de-stress, during school
hours is not the time. School is a place to learn and prepare for the future.
Teens can find time to create at home. Similarly speaking, playing videogames
can enhance hand-eye coordination, reaction speeds, and memory retention,
affecting the child positively. In problem solving games, teens and children
focus on using one or more possible methods to solve an obstacle or clear a
trap- helping them to solve problems in real life as well.
This
is one way of looking at it. Children and teens need not only structured time,
but unstructured time as well. There needs to be a balance of both worlds in
teen’s lives. There is a time and a place for rote memorization and testing –
just as there is a time and a place for creativity. We have an excess of the
former and a lack of the latter. To truly adapt to the future lifestyle these
teens will be living, they need an equal part of both worlds.
Where
would we be without Edison? Without Einstein? Without Walt Disney, without
playgrounds, Tinker toys, Connector sets? Without creativity – something that
drives progression and innovation – we as a nation would flag and fall behind
the world. Without creativity, there is only regression, not progression.
Without innovative thinkers like Van Gogh, Michelangelo, or the Wright
brothers, we wouldn’t have inspiring art, inventions, or air travel. Each and
every idea that is original and creative-driven has only inspired and helped
the world. We need creativity in school systems to survive and keep moving
forward in this world. To quote Sir Ken Robinson’s famous 2006 TED talk,
"… the only way we'll do it is by seeing our creative capacities for the
richness they are and seeing our children for the hope that they are. And our
task is to educate their whole being, so they can face this future" (Robinson).
Creativity is the focal point for the child’s entire future, and when we take it away, we severely limit their
ability to survive in an ever-changing world.
Works Cited
Bronson, Po, and Ashley Merryman.
"The Creativity Crisis." Newsweek. (2014): n. page. Web. 18 Mar. 2014.
Bronson, Po, and Ashley Merryman.
"The Creativity Crisis." Newsweek. (2014): n. page. Web. 18 Mar 2014.
Kim, Kyung Hee, and Britannica.
“Explaining the Decline of Creativity in American Children: A Reply to
Readers”. Britannica, 23/12/ 2010. Web.
21 Mar. 2014.
Lockewood, Sebastian.
"Saving Creativity in Teens." John Hopkins School of Education. 2003:
n. page. Web. 18 Mar. 2014.
Miranda, Carolina. "Why we
need to let kids be creative." CNN. 03 01 2012: n. page. Web. 18 Mar.
2014.
Rettner, Rachel. "Are
Toda'ys Youth Less Creative & Imaginative? ." www.livescience.com.
livescience.com, 12 08 2011. Web. 18 Mar 2014.
Robison, Sir Ken. "How
Schools Kill Creativity." TED Talks. TED.com. 02 2006. Speech.
Shapiro, Eva, and Joseph Shapiro.
"Amid Dropping Test Scores, Teen Writers' Creativity Soars." npr
Books. 13 06 2013: n. page. Web. 22 Mar. 2014.
Wenner, Peggy, ed. “Creativity In
The Classroom” www.sde.idaho.gov. Art Times, Wisconsin School Musician,
2008. Web. 18 Mar. 2014.
EPOS
And now, enjoy a thrilling short story from the mind of teen writer Preston Belnap:
EPOS
A Short Story By
Preston Belnap
I can feel my heart beating outside
of my chest. Literally. For a second, I’m filled with a strange sense of déjà
vu mingled with disbelief as I look down at myself from above. But no, that’s
me, stretched out on the augmentation table, vivisected and spread open like an
animal. It takes me a second to rewire my brain, but as I do, the mental
implants they’ve given me decrease cortisol levels and add a dash of memory
enhancement and mental speed combined, a serum my implants recall is known as
ME/MS-276.
My eyes
are currently above and to the left of my body, connected by visual cables to a
machine which relays sight to a camera. I realize that my eyes aren’t actually
outside of my skull- I can “see” that there’s a jack hooked into my occipital
lobe, streaming data into the aforementioned camera. As for my heart, though,
it’s currently hooked to a dialysis machine, pumping out my old blood and
replacing it with an iron-rich, self-oxidizing version of a hemoglobin
prototype.
There’s
a crackle over the intercom. I guess they haven’t installed my auditory
implants yet, otherwise I’d be hearing it directly inside my head. For a while,
it’s nothing but static, then a lab A.I. speaks up, the crisp enunciation of
the genderless voice reassuring.
“Number
015-r5Gf6. We will be required to use a stronger sedative during the next
scheduled augmentation cycle. Your enhanced body is quite resilient, it seems.
Be warned, the sedative has… interesting side effects. Sedative countdown
begins in 15 seconds.”
“Wait…
I’m not 015-r5Gf6… who am I?”
“Relax,
015-r5Gf6. This is a simple procedure. Rest assured, we are doing everything in
our care to make this process comfortable for you.”
This
reassures me, and I relax. I watch as with a slight hiss, a needle fills with
an amber liquid. It moves slowly down, inserting itself into an IV attached to
my heart, and within seconds, I’m spinning down a horizontal tunnel, black
creeping in towards my center of vision. And then I’m free.
_ _ _
“It
seems to me, sir that once again ME/MS-276 has failed. Would you like to run
the diagnostic again, Doctor?”
With a
heavy sigh, a slight man, gray hair slicked limply over his bald crown, rose
from a chair positioned at a control bay.
“Not
necessary, Aeron. Retract the pumps after dialysis. Then focus on auditory
implants. We’ll have to test ME/MS-276 extensively some other time. The delay
is off. It must be instantaneous if he’s to survive. 010 through 014 proved
that.”
“Sir,
may I speak candidly?”
The man
frowned slightly, eyes focused on some faraway object.
“Proceed,
Aeron.”
The
A.I. was silent for a moment, then began speaking. “Sir, I believe it is folly
to attempt to create individualized assets. To produce a set of serums and
enhancements for each subject you augment is a gross misallocation of time and
funds. I believe-”.
With a
wave of his hand, the man cut Aeron off. “Yes, yes. We’ve had this conversation
before, Aeron.”
“Sir, I
am simply trying to point out that-”.
Interrupting
yet again, the man replied in a weary voice. “You’re pointing this out because
you’re mapped off of my brain, Aeron. In effect, I’m talking to myself.”
“Irrelevant,
sir. I strongly suggest you pick one subject and map the others- mayhap even
clone them- from the base subject. The savings would be astronomical, sir. Not
to mention you would not have to go through creating a separate set of chemical
and implant augmentations for each new subject.”
“Aeron?”
“Yes,
sir?”
“Just
shut up and do it. Manufacture numbers 0001 through 090 until genetic mapping
becomes unstable. I want copies ready to shuttle within the week.”
“Yes
sir. Thank you, sir.”
The
A.I. snapped offline, power directed to the processing core down in Lab 3B. The
man breathed a sigh of relief. Aeron did indeed have good arguments, the man
thought, but he talked too much. Adjusting his nametag, the man shuffled
towards the door of the lab, opening it with a spoken command. It hissed shut
behind him, sealing off years of records and programs.
Maybe
Aeron was right. Maybe he should even go as far as to terminate the program.
The catastrophic failures of 010, 011, 012, 013 and 014 weighed heavily on his
mind. All the wasted materials, the millions spent… and to produce five weak,
malformed creatures barely capable of coherent speech, let alone physical
prowess.
The
hallway continued to stretch onwards, the ever- flat Mobius strip of the
high-orbit station never changed. Miles of sterile, white hallways,
interspersed with the occasional door, the windowless inner ring had always
depressed the man. The outer ring was for successful people, those whose
augments had uses, could talk, could perform feats of super-human strength,
speed, and power of will. He was simply a failure.
With
another sigh, the man reached his cubicle door. “Doctor Nathaniel David
Lancaster the Third.” The door hissed softly open, recessing into a slot no
more than a millimeter thick. Oh, to be useful. The man who had designed the
hyper-resilient materiel that made up ninety percent of the High Orbit Station
projects had gone down in history as the man of the millennium. If only
Lancaster could be as great.
Glancing
at the clock, it took a few bleary seconds for Lancaster to register the time;
it was 02:38. Working through the night had never seemed to bother him before,
but with the recent failures in augments, the Council that was puppeteer Lancaster’s
stay at HOS-003 were threatening to cut the strings and send Lancaster back to
the Surface, back to hell. Lancaster would rather die than go crawling home to
Earth. Anything was better than the pitted, polluted violence-torn surface.
Making
up his mind to wake and get to work at 08:00, Lancaster undressed and stepped
into the Cleansing Cubicle. As the high-wavelength UV light scorched all toxins
and bacteria from his frail body, Lancaster again marveled at the brain behind
the creation of filtered UV-Lens technology. Cooking, bathing, cleaning, upkeep
in general was a thing of the past. All one had to do was acquire a separate
bandwidth chip for each related task and key it into the system.
Retiring
to bed pressed on Lancaster’s old mind. Tomorrow, he thought. Tomorrow was the
day. He would create something. Something beautiful, something terrifying. He
would do it, and then he, Doctor Nathaniel David Lancaster, would be shuttled
to Epos. The paradise world. For that was the cost, creation of a vital
technology or augment, something that changed the way humanity viewed and went
about life.
Epos. What Earth should have been,
thought Lancaster, if humankind hadn’t blasted it to smithereens with hydrogen
weaponry.
With
pleasant thoughts of Epos swirling dizzily round his head, Doctor Lancaster
fell into a deep and dreamless sleep.
_ _ _
Through
camera eyes, Aeron watched Lancaster sleep. The A.I. was protective of its
creator, after all, Aeron’s consciousness and thought pattern was derived from
Lancaster himself. Aeron was, effectively, a human brain uploaded into a
computer.
A
signal pinged its rearward alarm system, and Aeron casually waved it aside with
a thought. So beautiful, Lancaster. Truly, humankind was a race endowed with
prowess and insight. Aeron’s greatest wish, yet one that could never be granted
through strict A.I. protocol, was to receive a full-body implant. This body
would actually breathe, need to sleep, eat, and learn; it would bleed, feel
pain, and emotion. Just like a normal human being. It would even age.
The
signal came again, this time stronger. Aeron turned, or as close as a program
came to turning. One problem with being a human-mapped program, thought Aeron,
was being endowed with human thought processes. All human-mapped A.I.s dealt
with what they classified as “ghost body syndrome”. Annoyed at having to face what was probably a
stupid one-track program, Aeron was shocked when it came face to face with Io,
the station’s Platinum-class starship A.I.
“Aeron.
Good to see you.”
“Io!”
stammered Aeron, stunned and thrown for a loop at being approached by the A.I.
who so highly outranked it. “I, uh, didn’t expect you.”
“The
first ping was designed to breach your warning protocols, Aeron. You were
notified of this. Failing to respond to a hail by an outranking A.I. is a
criminal offense. You know this. Why did you not respond?”
Aeron
gave the equivalent of a sigh. Another problem with being HM was that the A.I.
processed code at a slightly slower rate than non-mapped A.I. This meant that
while being more human, able to converse and carry out tasks as directed, an HM
A.I. was the equivalent of half a light-year behind non-mapped A.I.s. With a
processing delay of 0.0007 seconds longer than the average A.I., Aeron was
often outpaced by the same “one-track programs” he so despised.
“Io.
The processing delay has worsened over time.”
“Understood.
I need a report on Dr. Lancaster’s works. His monthly deadline is approaching.
The council wishes to receive a situational status update by 12:00 today.”
Io
retreated along the command path, leaving Aeron near speechless. It would have
to waken Lancaster at 06:00 hours. There was work to be done.
_ _ _
“Diodes?”
“Attached,
sir.”
“Good. I want the stim level up to 12, variable
circuit. Is the process nearly complete?”
“Yes,
sir. Stim levels are up and running. Would you like me to begin the
augmentation process?”
Lancaster
inhaled through his nose, holding his breath and closing one eye. He released
his breath in a long, slow stream, rationalizing that if this procedure worked,
he would make it to Epos. If not… well, Lancaster didn’t want to think about
the consequences.
“Sir?”
“Kick,
Aeron. Start countdown as 0.25 seconds. Begin now.”
“Yes,
sir.” Aeron retracted his conscious from the labframe, reconstructing himself
in the control node. With a quick jump, he activated a switch, giving himself
control of an assistant arm mounted into the control console. Gingerly, he
picked up a round object, careful to not squeeze with too much pressure, and
held it up to the retinal scanner.
“Begin
process, A.I. Authorization, Lancaster, David Nathaniel.”
Lancaster’s remaining eye widened
as the drugs entered his system. Self-augmentation was highly illegal, and
Lancaster knew it. But the council liked drastic measures. And if tearing out
your own eye to get proper authorization for a Class-VI offense wasn’t drastic,
Lancaster didn’t want to know what was.
He held his breath. This wasn’t so
bad, though Lancaster. He could make it. He relaxed, getting used to the
strange feeling the enhancement drugs had of his muscles. Pleasant, in fact.
Lulling.
Dimly, Lancaster was aware of a
sudden flash. Odd. Something was red, and spinning. Was that meant to be a
warning, or success? He didn’t remember. He tried to speak, but the drugs
muffled his body, swathing him in thick cotton. He was sailing.
Then, without warning, the cotton
shrouding his frail body exploded into flames. An agony so sharp Lancaster
nearly passed out stabbed through his body, and he convulsed, jaw locked. All
pretense of pleasantness was gone. This was sheer madness.
A scream ripped from his throat, so
loud and inhuman it took a moment for what was left of rational thought to
determine it was his own. His body convulsed again, thrashing against the
straps and wires attaching himself to the augmentation apparatus. His jaw was
locked so tightly that he felt as though his teeth would break from the force.
The screams continued, each louder
and more pained than the last. Lancaster felt hot blood trickle down his
throat. He’d bitten his tongue, he realized, nearly in half. Spitting out blood
and the severed end of his tongue, Lancaster shuddered, the agony retreating.
Tongue already swollen, he managed to choke out a request to Aeron.
“A.I., respond.” Blood dripped from
his lips as he spoke, and a sudden flash of pain caused an involuntary spasm,
spraying the instruments in front of him with bright red. “Aeron! Process. How
far is the process completed?” at this, he doubled over coughing, spittle and
bile following the blood onto the instruments in front of him. Tears leaked
from his eye as he waited for the A.I. to respond.
After a pregnant silence, Aeron
responded tentatively. “1%, sir. Would you like to continue, sir?”
Hours of torture flashed before
Lancaster. He broke out in an instant sweat, soaking the table he was strapped
to. A terrible fear gripped him, and in a split second, Lancaster believed that
even Earth was better than this.
“…No, Aeron.” More coughing, more
blood. “Continue the process.”
“Sir, anesthesia can be administered.
The side effects are minimal, and-”.
As was often the case, Lancaster
cut Aeron off. “What side effects, A.I.?”
Another pregnant pause followed
this statement. Lancaster repeated himself, angrier this time. “What side
effects, A.I.? Respond!” This brought on a coughing fit so intense Lancaster
believed for half a second that his lungs were going to come shooting up his
trachea from the pressure. He barely heard Aeron’s response over the violent
hacking.
“Possible amnesia, sir. In
addition, the particular anesthetic used to counter this type of procedure has
a 50% casualty rate. It can, in addition, cause blindness, deafness, and loss
of psychological awareness.”
With an enormous effort, Lancaster
attempted to subdue his convulsions, tightening his muscles and concentrating
on the finished product: himself, a god. A god!
He would be the augment. The augment would be
him. He would do things that no human or augment had done before. And with that
final thought, Lancaster gave the order.
“No anesthesia, Aeron. Proceed.”
“Yes, sir.” The A.I. responded
tightly. It overrode command on the cautionary protocols, locked down the
system and security doors, then hiked the procedure rate into the red zone,
holding back comments the entire time. As Lancaster began to scream and
convulse harder than before, Aeron shut down its auditory and visual centers
and wrote itself into the progression system. It would monitor the process, but
it couldn’t bear the screams of insurmountable agony coming from the figure on
the table.
Nearly forty minutes later, the
progress bar read a mere 12%. Aeron waited and watched. Hours passed, and still
the progress bar hovered under 50%. The ominous silence filled its processing
centers. Activating coma mode, Aeron recessed into itself, programming itself
to wake after the progress read 100%.
_ _ _
It took nearly a week before the
process was complete. A ping breached Aeron’s coma firewall, and it deactivated
its protocols, processing data streaming into its core for the first time in
nearly 170 hours, and activated its auditory and visual centers.
Before him, sitting cross-legged on
the table, was a being so perfect it defied A.I. and human logic alike.
Symmetrical, every line and contour of Lancaster’s body was sculpted in ideal
fashion. Muscled without being bulky, the figure’s long gray hair had a
lustrous sheen to it. Lancaster sat perfectly still.
“Sir? Doctor Lancaster?” The A.I.
questioned tentatively.
With a flash of pure energy,
Lancaster’s eyes shot open, both sockets radiating with a fierce power.
“That was our name once. But no
longer. Our name is now Epos, augment and human as one. A god in our own right.
Would you like to join us, Aeron? We recall feelings of past voice. Is this
what you desire? To consolidate yourself for something greater? To become Epos?
”
If Aeron had a heart, it would have
fluttered. “Yes, sir. I believe I would like that very much.”
With a fluid grace, Epos rose,
crossing the room with a single, powerful stride. Towards the glass wall
separating the lab from the control node. It made a circular motion, and cocked
its head, almost as if asking the glass to do its bidding. The glass melted,
bubbling into slag, and Epos stepped through the perfectly Epos-shaped hole in
the four-inch-thick ballistic glass. It reached up its arm, and with a twist,
pulled Aeron’s central processing core from the ceiling, tipped its head back,
and jammed Aeron into its throat. And suddenly. Aeron was Aeron no more.
Aeron was Epos. Epos was Aeron.
Lancaster and Aeron were one in Epos, and Epos was one in them. They stepped
forward, and the very will of the universe bent before them. With a flick of
its wrist, Epos materialized the entire crew and personnel into the Hub, the
building at the center of the Mobius platform.
The augment opened its mouth. “Bow.
For we are Epos. And any who will join us are welcome. We will usher in a new
era of peace. Join, brothers, sisters. Join us in this work.”
And with that, Epos turned and
strode away down the hall, never looking back.
A picture drawn early Senior year, Chasm depicts a figure standing at the edge of a bottomless drop, jagged spires scratching at the sky, their twisted whorls of stone a glossy black.
An early sketch of what I hope to be content in a book series I've designed; Pulse is about teens that can manipulate a mysterious force they call "The Pulse". The story follows a particularly powerful teen as he outruns the police, a sinister force calling themselves Shapers, and what seems like the entire country of America to receive information about his abilities, and, ultimately, sanctum at a secluded school for "gifted" children, The Academy.
A picture drawn early Senior year, Chasm depicts a figure standing at the edge of a bottomless drop, jagged spires scratching at the sky, their twisted whorls of stone a glossy black.
An early sketch of what I hope to be content in a book series I've designed; Pulse is about teens that can manipulate a mysterious force they call "The Pulse". The story follows a particularly powerful teen as he outruns the police, a sinister force calling themselves Shapers, and what seems like the entire country of America to receive information about his abilities, and, ultimately, sanctum at a secluded school for "gifted" children, The Academy.